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・ In Some Small Way
・ In Some Way, Shape, or Form
・ In Somniphobia
・ In Song and Dance
・ In Sorte Diaboli
・ In Soviet Georgia
・ In Space
・ In Spheres Without Time
・ In Spite of All the Danger
・ In Spite of Harry's Toenail
・ In Spite of Ourselves
・ In Spite of Thunder
・ In Spite of Wishing and Wanting
・ In Splendoribus Sanctorum
・ In Square Circle
In Step
・ In Step Tour
・ In Stereo
・ In Stereo (EP)
・ In Stereo (film)
・ In Store Jam
・ In Stormy Nights
・ In Strict Confidence
・ In Struggle
・ In Style (album)
・ In Style (horse)
・ In Style With the Crickets
・ In Sudden Walks
・ In Summer
・ In Summer (Renoir)


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In Step : ウィキペディア英語版
In Step

''In Step'' is the fourth studio album by Stevie Ray Vaughan and Double Trouble released in 1989. The title ''In Step'' can be seen as referring to Vaughan's new-found sobriety, following the years of drug and alcohol use that eventually led Vaughan into rehabilitation. It was also Vaughan's final album with Double Trouble. In 1990, he recorded a collaboration album with his brother, Jimmie Vaughan, called ''Family Style''; later that year, Stevie Ray Vaughan died in a helicopter crash.
==Reception==

Reviews for ''In Step'' have generally been positive. Robert Christgau rated the album an A-, signifying "a very good record." Although he stated that ""Wall of Denial" and "Tightrope" fall into ex-addict jargon like it was natural speech" and that "if the music was preachy or wimpy this would be a disaster," he concluded that ""House Is Rockin'" keeps on boogieing on and that on the mood-jazz closer he escapes the blues undamaged for the first time in his career."〔
Lou Reed selected ''In Step'' as one of his 'picks of 1989'.〔''Rolling Stone'', March 8, 1990〕
In a retrospective review, Stephen Thomas Erlewine of Allmusic rated ''In Step'' five out of five stars. He noted that before the album was released, "his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions." He further stated that it helped "Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty." Although he stated that "tunes like the terse "Tightrope" and the dense "Wall of Denial" feel so intensely personal, it's hard to believe that they weren't the product of just one man", he also stated that "the lighter numbers () are just as effective as songs." He concluded that "it's fully realized, presenting every facet of Vaughan's musical personality, yet it still soars with a sense of discovery. It's a bittersweet triumph, given Vaughan's tragic death, () yet it's a triumph all the same."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「In Step」の詳細全文を読む



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